Emagic Announces EXS24 24 Bit Software
Sampler
 |
Emagic Xtreme Sampler 24 Bit
(Click for a larger picture) |
February 10, 2000
Emagic, the award winning European-based software
and hardware developer, is proud to announce the EXS24, the Emagic Xtreme
Sampler 24 Bit, a professional polyphonic software sampler for Mac and
Windows. The EXS24 runs under Logic Audio and MicroLogic AV from Version
4.0 upwards and is Emagic1s second foray into virtual instrument development.
As a truly professional product in all respects, capable of reading existing
sample formats*, the EXS24 will set the standard for integrated cpu-based
sampling technology.
The basis of an EXS24 sound is an ‘Instrument1 that can have as
complex a structure as required: from a single sample played across the
entire keyboard to densely multi-layered objects made up of numerable
individual samples. Sample assignments in the EXS24 are performed in a
clearly designed editor, doing away with multi-paged LC displays and endlessly
scrolling edit lists. Within the EXS24 architecture, samples are organized
in a ‘Zone1. A sample can be WAV, AIFF, SDII or an imported format*.
Its resolution can be between 8 and 24 Bits with sample rates up to 96
kHz, making the EXS24 one of the first samplers to support 24 Bit 96 kHz
formats. Each Zone will contain volume, tuning, the key note the sample
is assigned to, and keyboard & velocity zoning. Each Zone will also
contain nondestructive crossfade loop settings as well as One Shot and
nondestructive Reverse modes. Zones are then assigned to 'Groups'. Each
Group contains all the parameters for subtractive synth-style processing,
output selection and its own settings for keyboard and velocity zoning.
These last two settings ensure maximum future compatibility with all third-party
formats.
* Currently implemented: Akai S1000/S3000. Support for other standards
is under development.
The EXS24 real-time processing power
Once an Instrument is defined, further refinements can be added with
high-quality analog-subtractive style processing. In each group this consists
of a multimode filter providing lowpass filtering with slopes selectable
from 12 dB, 18 dB, 24 dB classic and 24 dB fat. The unique fat mode ensures
fat bass response even with high resonance settings. Resonance can be
set to self-oscillation in order to produce classic high resonance effects.
To further enhance the filter sound characteristics, the filter input
features a variable distortion control.Pitch, filter cutoff, and volume
or pan, can be modulated with two LFOs. One LFO is polyphonic with its
own envelope generator for delayed or decaying modulation and the other
one is a monophonic LFO. Both rates can be adjusted in Hz or beat-synced
note values.
The EXS24 features two ADSR's, one for volume and one for the Filter.
The curve forms of the envelopes can be adjusted and, for enhanced realism,
the envelope times can be made to follow pitch. The sample startpoint
can be modulated via velocity, as can the attack times of the envelopes,
giving enhanced control of the attack portion of a sound. The Glide function
is switchable from Portamento to Autobend to obtain a velocity sensitive
pitch envelope. The EXS24 can operate in legato mode, which is especially
suitable for solo sounds with fingered portamento and single-triggered
envelopes. This processing power is handled via an extremely intuitive
user interface providing specially designed controls, allowing the adjustment
of multiple parameters at once. Integration into Logic Audio and MicroLogic
AV
The EXS24 requires Logic Audio Platinum, Gold, Silver and MicroLogic
AV Version 4.0 and upwards for both Mac and Windows. Up to 16 EXS24, each
with up to 32 voices, can be used simultaneously depending on computer
power.
As the first software sampler to be perfectly integrated into the internal
mixer of a digital audio sequencer, the EXS24 offers total access to Emagic1s
built-in proprietary plug-ins, sample accurate timing superior to any
external midi sampler, exceptional ease of use and total recall with automation.
The identical storage medium for songs, sounds and samples as well as
audio track data ensures fast and easy backup. The ability to use Logic1s
audio track data as sample data in the EXS24, combined with the possibility
to perform Logic Audio1s sample editing and mixing operations, opens up
previously untapped creative options.
Planned future updates of the EXS24 include Digidesign1s DirectConnect
support, with which up to 32 outputs of the EXS24 can be feed into a TDM-based
mixing environment. This will allow TDM users to take advantage of the
sample-precise timing of the EXS24.
The EXS24 will be released in April 2000 and carry an MSRP of US$ 299.00.Emagic
Inc.
For more information,
visit Emagic at www.emagic.de. |
