MOTU Announces 1296 Hard Disk Recording
System
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Motu's 1296
(Click for a larger picture) |
February 11, 2000
Mark of the Unicorn, Inc. (MOTU) debuted the 1296,
a two-space rack-mountable computer-based hard disk recording system for
Mac and Windows that offers 12 simultaneous channels of 24-bit, 96 kHz
input and output on balanced XLR connectors.
The 1296 core system includes a PCI-324 audio card with three "Audio
Wire" connectors, allowing users to expand the system to three 1296
interfaces for up to 36 simultaneous channels of 24-bit 96 kHz input and
output. The 1296 audio interface will also be sold as an expansion I/O
that can be "mixed and matched" with MOTU's entire line of audio
interfaces, including the 2408, 1224, 24i and 308. For example, a 2408
user can upgrade their system to 96 kHz simply by plugging in a 1296 expansion
interface. The 1296 core system includes MOTU's Macintosh workstation
software, AudioDesk, which supports 16- and 24-bit recording, editing,
mixing, effects processing and mastering at 44.1, 48, 88.2 or 96 kHz.
Standard ASIO and Wave drivers are supplied for widespread compatibility
with 3rd party audio software for both Mac and Windows.
"With its wide dynamic range, 19-segment level meters for every
input and output, and expansion to 36 channels, the 1296 is clearly the
top choice for anyone who is serious about multi-channel 96K recording,"
said Jim Cooper, MOTU's marketing director. "In particular, the 1296
is ideal for surround recording and mixing applications because each 1296
rack unit can accommodate two 5.1 surround stems, both in and out. That's
a total of six separate 5.1 mixes in a fully expanded system. For stereo
mastering, the 1296 includes AES/EBU I/O with sample rate converters on
both input and output. This means you can run the system at 96 kHz, for
example, and bounce a stereo mix to DAT at 48 kHz with bit reduction and
dither being handled by plug-in processing in the host computer. And the
audio quality of the 1296's analog circuitry and converters is simply
magnificent: our measurements show an A-weighted signal-to-noise ratio
of over 117 dB on its twelve inputs."
The 1296 audio interface has a double-space, rack mountable steel chassis
with twelve XLR analog input connectors, twelve XLR analog output connectors,
stereo AES/EBU in and out, word clock in and out, and an extra "AES"
word input that allows the unit's AES/EBU section to independently resolve
to an external word clock source. Finally, the rear panel includes a standard
MOTU Audio Wire jack for connection to a MOTU PCI-324 audio card.
The 1296's isolated analog I/O circuit board is equipped with the latest
generation state-of-the-art 24-bit "enhanced multi-bit" 128x
oversampling 96 kHz A/D and D/A converters. The A-weighted dynamic range
is 117 dB for the 12 inputs and 116 dB for the 12 outputs. The 1296 also
employs latest-generation R/CORE transformers, which achieve efficient,
low-heat operation with virtually no magnetic interference or acoustic
hum.
The 1296 can resolve with other devices via its standard BNC-style word
clock input and output, or via the ADAT SYNC connector on the PCI-324
card. When multiple 1296 interfaces are connected, no extra synchronization
connections are necessary, as the interfaces resolve with each other via
the PCI-324 card.
The 1296's AES/EBU input and output each have an independent sample
rate converter, allowing them to send and receive digital audio signals
at a different sample rate than the rest of the 1296 system. For example,
while the 1296 system clock operates at 96 kHz, the AES/EBU input could
resolve to a digital mixer running at 48 kHz and the AES/EBU output could
simultaneously run at 44.1 kHz for output to a DAT machine.
The 1296 front panel provides status and metering information in three
sections: Input, Output and Clock. The Input and Output sections provide
accurate, 19-segment LED meters for each input and output. Each meter
displays audio level in 3 dB increments from -42 dB to -4 dB and then
in 1 dB increments from -4 dB to unity gain. Unity gain is indicated with
a red "over" LED, along with an additional hold LED that can
be cleared via software. The "over" LED continues to dynamically
indicate further peaks, even after the hold LED has been illuminated.
This allows 1296 users to correct levels without having to repeatedly
clear the hold LED.
The Clock section provides colored LEDs that indicate the 1296 system's
operating sample rate (44.1, 48, 88.2 or 96 kHz), as well as the sample
rate of the unit's AES/EBU section (if it's operating at a different rate
than the rest of the system).
The 1296 core system ships with a single PCI-324 audio card, first introduced
with the popular 2408 system. The PCI-324 card has three MOTU Audio Wire
connectors and a standard 9-pin ADAT SYNC input connector that provides
sample-accurate sync with ADAT family multi-track recorders. A "Control
Track" connector is included for sample-accurate synchronization
with Tascam family multi-track recorders via a MOTU Digital Timepiece
universal synchronizer.
The PCI-324's three Audio Wire connectors allow up to three 1296 interfaces
(or other MOTU audio interfaces) to be connected to the computer at one
time. Each Audio Wire connection carries up to 24 channels of 44.1 or
48 kHz input and output for a possible maximum of 72 simultaneous input
and output channels. When the system operates at 88.2 or 96 kHz, each
Audio Wire can carry up to 12 channels of input and output for a possible
maximum of 36 simultaneous input and output channels.
The Audio Wire format uses standard 1394 components, but MOTU has developed
a proprietary communication protocol between the card and the external
I/O to handle the extremely low latencies required by the system.
Included with each 1296 core system is AudioDesk, a full-featured audio
workstation software package that includes multi-channel waveform editing,
automated virtual mixing, graphic editing of ramp automation, real-time
effects plug-ins with 32-bit floating point processing, crossfades, support
for third-party audio plug-ins (in the MOTU Audio System and Adobe Premiere
formats), background processing of file-based operations, sample-accurate
editing and placement of audio, and more. The 1296 system can also be
used with MOTU1s award-winning Digital Performer audio sequencer software
package.
In either case, the host computer determines the number of tracks that
the software can record and play simultaneously, as well as the amount
of real-time effects processing it can support. A faster computer with
more RAM and faster hard drives will allow more simultaneous tracks and
real-time. Standard third-party acceleration products can also help users
achieve higher track counts.
The 1296 includes a standard multi-channel Windows Wave (.WAV) driver,
ASIO 2.0 drivers for Macintosh and Windows, and a Macintosh Sound Manager
driver. These drivers allow users to record, edit, mix, process and master
their 1296 projects on a wide range of third-party audio software applications.
MOTU systems have been tested with all major audio packages on Macintosh
and Windows.
Users can work at the 96 kHz or 88.2 kHz sample rates using any host
audio software that supports them, such as MOTU's AudioDesk and Digital
Performer. ASIO 2.0 drivers are included for sample-accurate, 96 kHz operation
with Steinberg Cubase VST and other ASIO-2.0 compliant programs.
The 1296 will ship Q2 2000. Prices for the core system and expansion
I/O have not yet been announced.
For more information, visit Mark of the Unicorn's web site at www.motu.com. | 
