Steinberg Ships Mindprint T-Comp Stereo
Tube Compressor
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| Front Panel |
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| Back Panel |
March 16, 2000
Steinberg North America will distribute the
Mindprint T-COMP
stereo tube compressor, a studio peripheral to capture the musicality
of a performance by adding analog warmth to digital recordings.
T-COMP offers the possibility of tube saturation and features balanced,
analog line inputs and outputs (studio level) in both XLR and 1/4”-TRS
formats. As with the MindPrint En- Voice, a digital input and output can
be retrofitted to the unit using the 24-bit Mindprint DI-Mod (44.1 and
48 kHz), the same expansion module used for its predecessor. The T- COMP
includes stereo inserts. This allows the user to compress a pair of channels
through the tubes and convert from analog to digial using the optional
Di-MOD 24/48 Converter. Since each channel of the T-COMP has its own set
of controls, the T-COMP can be used for processing either a stereo signal
or two separate mono signals.
The nature of the compression which the T-COMP stereo tube compressor
delivers is impressive in its effectiveness, yet smooth and unobtrusive.
Powered by a high-quality THAT-VCA (Voltage Controlled Amplifier) which
has been fine-tuned to interact with the tube, it generates uncolored
compression as well as the typical overtone structure that you would expect
of a premium tube device. To react as smooth as possible, the T-COMP employs
soft-knee compression. As the incoming signal level approaches the threshold
point, the compression rate is gradually increased. When the level finally
exceeds the threshold value, the signal is compressed at the ratio that
you have dialed in. As a result, even when you choose to compress signals
heavily, these are not "crushed" into submission, but are gently
"squeezed" when the signal exceeds the threshold.
Filter The Filter button activates a certain compression mode in which
the compressor responds differently to certain frequencies. Since the
filter is not in the signal path itself but in a sidechain circuit, it
has no EQ-like effect on the signal itself, but only governs how the compressor
responds. The filter is tuned so that the compressor responds less aggressively
to bass-heavy signals, thereby delivering results that are much closer
to the way the human ear naturally "compresses" signals. When
the filter is activated, compression seems more balanced, with silky,
shimmering highs and improved high-frequency articulation.
Attack and Release Times In addition to standard controls for adjusting
attack and release times, T-COMP offers a unique Adaptive Mode for automatic
program-dependent control. Adaptive Mode carefully and musically adapts
attack and release times to handle everything from percussive material
with fast transients to longer passages with slow fade-ins. The Attack
and Release controls themselves remain active and are used to shape how
the automated adaptive circuit responds.
The Mindprint T-COMP is now available from Steinberg North America for
a MSRP of US$ 1099.00.
For more information,
visit Steinberg at www.steinberg.net. |
